PH 3½-3 Pendant Lamp
The PH 3 ½-3 glass pendant lamp is one of many progressive projects developed by Poul Henningsen in connection with the design of his world-famous three-shade system from 1926. Poul Henningsen devoted much of his life to taming electric light. His three-shade design is based on a Lituus curve, which allows the light source to be used optimally. He continuously carried out calculations and tests in his work. The shape of the shades was determined by how they had to shape and reflect the light. When designing the lamp itself, he placed great importance on ensuring that it was glare-free. The white opal glass shade gives the lamp a soft overall look and illuminates the surroundings with a perfectly harmonious and glare-free light that only the classic three-shade system can provide.
The PH 3 ½-3 glass pendant lamp is one of many progressive projects developed by Poul Henningsen in connection with the design of his world-famous three-shade system from 1926. Poul Henningsen devoted much of his life to taming electric light. His three-shade design is based on a Lituus curve, which allows the light source to be used optimally. He continuously carried out calculations and tests in his work. The shape of the shades was determined by how they had to shape and reflect the light. When designing the lamp itself, he placed great importance on ensuring that it was glare-free. The white opal glass shade gives the lamp a soft overall look and illuminates the surroundings with a perfectly harmonious and glare-free light that only the classic three-shade system can provide.
Original: $1,526.94
-70%$1,526.94
$458.08Description
The PH 3 ½-3 glass pendant lamp is one of many progressive projects developed by Poul Henningsen in connection with the design of his world-famous three-shade system from 1926. Poul Henningsen devoted much of his life to taming electric light. His three-shade design is based on a Lituus curve, which allows the light source to be used optimally. He continuously carried out calculations and tests in his work. The shape of the shades was determined by how they had to shape and reflect the light. When designing the lamp itself, he placed great importance on ensuring that it was glare-free. The white opal glass shade gives the lamp a soft overall look and illuminates the surroundings with a perfectly harmonious and glare-free light that only the classic three-shade system can provide.
